Biblical & Theological Foundation of TMOP

The Ministry of the Psalmist (TMOP) is grounded in a theology of worship shaped through the ministry of Gwendolin Sims Warren, longtime praise and worship leader at Times Square Church under David Wilkerson.

 

Known as Sister Gwen, Rev. Warren served for over 30 years and authored Ev’ry Time I Feel the Spirit, preserving the sacred song tradition of the African-American Church. Her teaching established worship as consecration—where sound is both offering and responsibility before God.

 

This foundation is not only taught within TMOP—it is carried. Founder Jayne M. Skoog was personally trained and spiritually formed under both Sister Gwen and David Wilkerson, continuing a lineage of worship that is biblically grounded and spiritually accountable.

 

As declared in Psalm 40:3, this work carries the “new song” placed by God—drawing others into His presence and restoring the altar of worship in this generation.

 

 

Foundational Biblical Teachings

Integrated across all TMOP course offerings

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1. The Seven Hebrew Words of Praise

Students study the biblical language of praise—Yadah, Towdah, Barak, Tehillah, Zamar, Halal, Shabach—and their practical application in vocal expression, musical leadership, and congregational worship.

Application: Vocal technique, interpretation, stylistic authenticity, and worship leadership.

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2. “Let Everything That Hath Breath Praise the Lord”

A theological and musical exploration of breath as both physiological function and spiritual gift, grounding vocal training in Scripture (Psalm 150).

Application: Breath management, phrasing, tone production, and spiritual intentionality.

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3. The Levitical Priesthood

Study of the Levitical calling as the biblical model for musicians set apart for sacred service—discipline, preparation, purity, and accountability.

Application: Professional ethics, rehearsal discipline, leadership responsibility, and ministry conduct.

 

 

4. The Origins of Praise and Worship

A scriptural examination of worship from Genesis through the Psalms, tracing how praise emerges as both response and offering.

Application: Historical context, repertoire selection, and informed performance practice.

 

 

5. The Psalmist and the Ministry of Music

Understanding the role of the psalmist as both artist and intercessor—one who carries spiritual authority through sound.

Application: Solo singing, ensemble leadership, interpretation of sacred texts, and ministry presence.

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6. The Tribe of Judah

Exploration of Judah’s role as the tribe of praise—those who go first—and how music functions as spiritual leadership.

Application: Choral leadership, worship flow, ensemble unity, and spiritual confidence.

 

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7. Abraham Worships God at Jehovah-Jireh

A study of worship rooted in obedience, sacrifice, and trust—worship not as performance, but as surrender.

Application: Artistic integrity, humility, service, and purpose-driven musicianship.